31 Shinbi's Apartment Ghosts!
DAY TWENTY ONE: PUPPETEER & SOULLESS CHASER

Written by Jonathan Wojcik





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SEASON 02.02, EPISODE 03: working late one night, a department store employee stumbles upon an unidentified intruder casting a spell over the store's supply of spare mannequins. Though the demon hunter Kang-lim saves her and ostensibly defeats the puppeteer-sorceror, she has seen something she was not supposed to, and has been marked for death by the puppeteer's ultimate creation. This is only the second time one of these reviews warrants a second video clip:



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For being in the wrong place at the wrong time, the young woman is now relentlessly pursued by a single magically transmogrified mannequin with razor-sharp teeth, equally sharp talons, an extending neck, a six-limbed insect-like configuration and the strength of a hundred people. It's a specialized hunter-killer that seems nearly unstoppable, the "Terminator" of haunted mannequins!


This episode is basically all action, with Puppeteer actually being the minion of a major demon villain and barely seen or referenced ever again, but that doesn't mean we don't have tragic backstory to talk about, and in fact, it comes to us in a format I'm delighted we can finally share!


Under the English title "Hari's Ghost Toon," this official video series is apparently known as "There Are No Evil Demons" in Korean, and is hosted by Hari's actual voice actress. She breaks the fourth wall by discussing the show, but she's also sort of in-character, as though we're seeing Hari grown up into a paranormal theorist. The main draw is that she provides background story to various monsters that didn't receive one in the series itself, and while it's presented as if she's simply guessing it all herself, the quasi-animated comic she presents is, as far as I've determined, considered canon for the time being.

So, what we now know is that while the Puppeteer is considered a demonic entity by the events of the main series, he was allegedly a human being 500 years prior; a carpenter and craftsman named Sunghwan who lived in a poor village with his kid brother, Sungyoon, who had recently survived smallpox, and was only allowed to remain in the village due to Sunghwan's usefulness.

When smallpox began to break out again in neighboring communities, Sunghwan was tasked with carving huge Jangseung totems to ward off the disease. Unfortunately, a plague victim exiled from his own village snuck in one night and coincidentally met Sungyoon, who remembered that the village had allowed him to stay and that his brother always taught him to be kind and welcoming. The child let the man hide in their home, and smallpox began to spread rapidly from there.

The younger brother was assumed to be the source of the disease, and was beaten by a mob. The older brother was accused of making ineffective totems, and was told his brother would be safe only if he went with a group of officers to retrieve medicine; all a trick to get him alone and execute him while the village slums were burned.

Sunghwan fought back, escaped, and lived only long enough to try and rescue his brother from their burning home. As he died, or would have died in the flames, the king of demons reached out to him, and the Puppeteer was born, a human turned demon whose magic and woodworking skills can create virtually anything.


FINAL REVIEW:

Even before meta-Hari's canonical headcanoning, the Puppeteer's brief appearance makes a big impression. You immediately want to know what's going on with this ominously dressed man bringing mannequins to life in the back of a mall, and even "just" as a human in heavy clothing he's a cool, frightening design. The huge, simple white eyes painted on his stitched-together mask give him a uniquely eerie style, and you can never go wrong with a black, broad-rimmed hat. He's another with strictly "cool" rather than "horrifying" vibes to me, more like a Batman villain than anything else, but not in a bad way at all.


Nicely enough, Puppeteer and his ultimate creation are treated as separate "species" with their own distinct summons both in the main series and tie-in games, so we get a two-for-one review! First, Puppeteer's overall score:


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So, now the death-puppet, known as "Mannequist" in English content but more memorably as "Soulless Chaser" in Korean. Living mannequins are an everyday horror staple by now, but I've never really seen one treated like a "killer robot" to this degree. The arthropod-like shape of this modified white model, long neck, glowing eyes and stretched, gaping mouth of this construct are all both physically threatening and hauntingly "wrong," hitting a great sweet spot between that excessive "cool predator" factor and "disturbingly ghostly" element. It feels very influenced by creepypasta and SCP imagery, which is also noted by the Korean fan wiki, and it's just a whole lot of fun all around.


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